September 9, 2012 § 6 Comments
Years ago in art school I had a color theory instructor who used to call, “Notes!” when he was ready to lecture. I’ve been taking an oil painting class on Thursdays from painter extraordinaire, Gretchen Hancock, through the Bainbridge Arts & Crafts Gallery. This last week Gretchen painted a demo outside, giving us marvelous pointers about painting landscapes as she applied paint to her 6 x 6 inch panel. The rest of us sat. I took notes.
When I was very young -and restless- my mother kept 3 x 5 index cards in her purse for me to draw on. She let me use her Lindy ballpoint pen, which was the bee’s knees of the ’50’s. Maybe that’s why I like to sketch so much with a pen.
* Marc Dalessio – extraordinary Plein Air painter with a video on “sight-line painting”
* Limit your palette
* Outdoors: What’s interesting to you? What format will you use? (square, rectangle, etc) What’s going to be light? (I heard Gretchen say “white”, which is what I jotted down, but as a general rule in painting she told us to “remember all white is gray” until the very end when white is used for highlights.) What’s going to be dark?
* The “E-Z-L” – easel umbrella for Plein Air painters
* Twisty Tie – sold at Ace Hardware (not its brand name, it’s a nifty bendable plastic cord about 18 inches long -comes in several colors- with a surprisingly strong hold, to keep a portable easel folded up…or a bazillion other uses in your life)
I’m a Lefty. Generally I begin to write in a column down the right side of the page so the palm of my hand won’t smudge the ink. In between notes I doodle or sketch on the left side at something that catches my eye. Thursday I brought my wooden pony pen with the rooster on its head. Pony’s been standing very straight in a basket on my drawing table now for two years. Thought it was time I let him stretch his legs a bit. WHoo-hoooo! Nice stride.